Finding Ourselves Lost In A Dark Wood: INFERNO, Canto I, Lines 1 - 9
Walking With Dante26 Syys 2020

Finding Ourselves Lost In A Dark Wood: INFERNO, Canto I, Lines 1 - 9

We take the first steps with our pilgrim, Dante, as he finds himself in a dark wood and starts his walk . . . through hell? No, across the known universe.

He's also in a mid-life crisis. Curiously, not his. Instead, ours.

It's a bad spot--so bad that he quakes even as he tries to write about it years later.

Join me, Mark Scarbrough, to discover the opening lines of Dante's masterwork.

If you'd like to read my English translation or dip deeper into this passage, there's a full study guide on my website, markscarbrough.com or walkingwithdante.com. Look for the header link to INFERNO, Cantos I - IV at the top of the site, then scroll or page down to the episode.

Here are the segments for this episode of WALKING WITH DANTE:

[01:39] Why would you want to walk with Dante?

[04:09] Who am I? This podcast has been brewing for years.

[06:26] At first glance, why are the opening lines so strange, even off-putting?

[14:42] Does Dante's poem open "in medias res"? That is, "in the middle of things"?

[17:03] Who's journey is this? Who is this "I"? And how can this "I" write this journey into the wilds of the universe?

[22:27] What's the point of Dante's COMEDY? To walk across the known universe.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

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Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

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The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

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Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

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