An Interpolated Episode: A Look Back At INFERNO, Canto I, And Look Around The Entire Poem
Walking With Dante11 Loka 2020

An Interpolated Episode: A Look Back At INFERNO, Canto I, And Look Around The Entire Poem

Let's pause to look back over INFERNO, Canto I. I'll read it through for its scope and arc. Then we'll set about exploring this piece of architecture, not just the first canto, but the whole of Dante's COMEDY.

Join me, Mark Scarbrough, as I give Inferno's first canto a backward glance, then look ahead to the glorious poetry across COMEDY.

If you'd like to donate to this podcast, to help underwrite its many hosting, licensing, editing, streaming, and royalty fees, consider a one-time donation or a very small monthly stipend through this PayPal link right here.

Here are the segments of this episode of WALKING WITH DANTE:

[00:59] The whole of INFERNO, Canto I. For a study guide to this first canto, complete with translation and interpretation questions, please find the various episodes listed under the header "INFERNO, Cantos I - IV" on my website, markscarbrough.com.

[07:38] The overall structure of Dante's COMEDY.

[11:23] The canto and stanza structure of COMEDY.

[23:08] Even deeper in, the structure of the individual lines of COMEDY.

[26:54] Everyone fences in the world to make their own pasture. Problem is, we often mistake our pasture for the world. So we must discover both Dante's fence and his pasture. But our poet goes beyond what most of us are willing to do. Again and again in COMEDY, he moves his fences to make his pasture bigger and bigger.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Syys 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Elo 26min

Suosittua kategoriassa Fiktio

rss-haudattu
rss-pelottavia-juttuja
varjoton
kauniita-unia
kummitusjuttu
pottermania
rss-kauhutarinoita
rss-tiedetta-vai-tarinaa