Bested By Beatrice, Bested By Virgil: INFERNO, Canto II, Lines 115 - 141
Walking With Dante25 Loka 2020

Bested By Beatrice, Bested By Virgil: INFERNO, Canto II, Lines 115 - 141

Beatrice has bested Virgil. Virgil has bested Dante, our pilgrim.

Dante can do nothing else except set off across the universe.

Join me, Mark Scarbrough, as we finish Canto II of INFERNO and get ready to descend into the mouth of hell.

Here are the segments to this episode:

[02:14] My English translation of INFERNO, Canto II, Lines 115 - 141. If you want to read my translation, find a more in-depth study guide with lots of interpretive questions, or just continue the conversation with me through a comment, please find the entry for this episode on my website, markscarbrough.com.

[05:49] Why did we have to have this rhetorical battle?

[07:19] Beatrice's final salvo: She wins with tears.

[08:32] Virgil confirms that the she-wolf was Dante's primary antagonist.

[09:53] Virgil states his final case--and maybe overstates it, putting himself on a par with the blessed ladies in heaven. This may be a moment of the so-called anxiety of influence (à la Harold Bloom, the U. S. provocateur/literary critic).

[14:53] Desire is the foundation of the universe in Dante's scheme.

[15:24] The pilgrim offers a unified will: He is no longer split in parts.

[16:08] The pilgrim Dante speaks in a plain, straightforward way, indicating that he gets it, that he has what it takes to start the journey (both across the universe and on the page).

[17:54] An backward glance at Canto II and some points about its structure. A canto highly concerned with rhetoric is itself rhetorically structured. And more about rhetoric and the will, as well as the way they must align to get you what you want.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Syys 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Elo 26min

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