Cataloguing The Greats You Know And The Ones You Wish You Knew: INFERNO, Canto IV, Lines 115 - 151
Walking With Dante25 Marras 2020

Cataloguing The Greats You Know And The Ones You Wish You Knew: INFERNO, Canto IV, Lines 115 - 151

Our pilgrim, Dante, gets to a vantage point where he can look across the "enameled" green to see the crowd gathered in and around Limbo's castle. He then lists off the greats: Trojans, Romans, Caesar, Aristotle, even pre-Socratic thinkers.

Problem is, our poet didn't know many of these thinkers and writers except by name. He only knew of Plato by an incomplete translation of one minor work.

What's more, he includes a few names in his list of the greats that are almost mind-blowing, figures I didn't see even after reading COMEDY for almost thirty years.

Join me, Mark Scarbrough, as I continue on the slow journey across COMEDY.

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Here are the segments of this episode:

[01:37] My English translation of INFERNO, Canto IV, Lines 115 - 151. If you want to see it, find a deeper study guide, or drop a comment, please find its entry on my website, markscarbrough.com.

[04:20] A bit about my history with COMEDY--and my apparent blindness to some of its details, despite reading it for so many years.

[05:26] The first pieces of this passage: questions about who the "we" is, questions about the description of the green grass in the castle ("enameled"?), and questions about the poet who never seems far behind the veil of these passages.

[07:40] The first list of who the pilgrim sees: Trojans, Romans, and (here it comes) an Islamic ruler. Also, a bit about the notion of "fiction v. history" in medieval writing.

[14:25] A second list of the ones the pilgrim sees as he lifts his eyes higher: philosophers, thinkers, writers, mathematicians, astronomers, physicians--and two Islamic scholars, more names in the list I missed.

[18:03] A further listing, including poets among mathematicians and astronomers, along with two great Islamic philosophers.

[22:43] A bit about the rationalizations for this list. Maybe there's an emotional component to listing off those you honor when you're on the run.

[26:58] The last lines of the passage--and the intrusion of the poet, Dante, for one final time in a confession of his failure. The poet's never been far away in Canto IV, in Limbo.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Syys 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Elo 26min