Virgil Gets The Apocalypse Wrong: INFERNO, Canto VI, Lines 94 - 115
Walking With Dante13 Tammi 2021

Virgil Gets The Apocalypse Wrong: INFERNO, Canto VI, Lines 94 - 115

Ciacco has fallen back into the muck, never to be seen again--at least not until the last judgment.

As the pilgrim and Virgil start to descend to the fourth circle, they talk about that future. They talk about the BODILY resurrection--because what else would you discuss among the gluttons?

Join me, Mark Scarbrough, as we listen to Virgil get the future wrong yet correctly assess the end of time itself.

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Here are the segments of this episode of WALKING WITH DANTE:

[01:25] My English translation of INFERNO, Canto VI, lines 94 - 115. If you want to see this translation, find a more intense study guide, or drop a comment to continue the conversation about this episode, find its entry on my website, markscarbrough.com.

[03:03] Virgil's view of the apocalypse, after Ciacco tells the future. Whereas Ciacco offers a correct vision of Florence, Virgil gets the second coming of Christ wrong.

[07:10] Aristotle! And as part of the apocalypse. Aristotle has been running under this canto since the start.

[09:19] Virgil and our pilgrim, Dante, walk on into a mixed bag of souls and muck, a mash-up at odds with the Last Judgment but not at odds with his current political moment.

[20:03] The last lines of Canto VI and the road's bend, the first time we see that our pilgrim has to walk around a circle before he and Virgil can descend.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Syys 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Elo 26min

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