Of Eels And Wine: PURGATORIO, Canto XXIV, Lines 16 - 33
Walking With Dante2 Heinä 2025

Of Eels And Wine: PURGATORIO, Canto XXIV, Lines 16 - 33

Forese Donati continues to answer Dante the pilgrim's questions by naming five penitent gluttons surrounding them on the sixth terrace of Mount Purgatory.

As he points them out, Forese (and Dante the poet behind him) use culinary and gastronomical imagery to reinforce the themes of the terrace and perhaps to further fuel that long-standing feud between French and Italian cuisine.

Join me, Mark Scarbrough, as we pick through the historical and cultural details in the second part of Forese's answer to the pilgrim.

Here are the segments for this episode of WALKING WITH DANTE:

[01:52] My English translation of the passage: PURGATORIO, Canto XXIV, lines 16 - 33. If you'd like to read along or continue the conversation with me, please find the entry for this podcast episode on my website, markscarbrough.com.

[03:17] The deft use of culinary and gastronomic imagery in this passage.

[06:40] Five penitent gluttons: Bonagiunta of Lucca, Pope Martin IV, Ubaldino della Pila, Boniface, and Master Marchese degli Orgogliosi.

[17:12] A curiosity: It's not forbidden to name them?

[19:16] Is this passage a false lead?

[22:54] Rereading the passage: PURGATORIO, Canto XXIV, lines 16 - 33.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

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Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

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16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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13 Syys 29min

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Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

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The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

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Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

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