The Shocking Emptiness Of Revelation: PURGATORIO, Canto XXIX, Lines 106 - 120
Walking With Dante24 Joulu 2025

The Shocking Emptiness Of Revelation: PURGATORIO, Canto XXIX, Lines 106 - 120

The parade goes on to include a Roman, two-wheeled, victory chariot between the four animals. It's a brilliant moment, a chariot better than even famous Roman conquerors got, pulled by a griffin, a legendary two-natured creature . . . yet with a curious moment of emptiness right in all of the victory.

Join me, Mark Scarbrough, as we continue deeper into the allegory of the parade of revelation at the top of Mount Purgatory.

Here are the segments for this episode of WALKING WITH DANTE:

[01:32] My English translation of PURGATORIO, Canto XXIX, lines 106 - 120. If you'd like to read along or continue the conversation about this passage with me, please find its entry on my website, markscarbrough.com.

[03:13] The changing nature of allegory at the top of Mount Purgatory.

[09:38] The poetics of the passage: extreme concision and more of Guido Cavalcanti's pastoral poetry.

[13:26] Roman military history in the passage: Scipio the Younger and Caesar Augustus.

[17:41] Roman (or Ovidian) mythology in the passage: Phaëthon and the sun's chariot.

[21:39] The griffin: ancient, medieval, and allegorical (but of what?).

[27:20] The great aporia: the chariot is empty!

[28:51] Rereading the passage: PURGATORIO, Canto XXIX, lines 106 - 120.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

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20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

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16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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13 Syys 29min

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Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

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9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Syys 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

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30 Elo 26min

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