At Long Last, Dante's Confession: PURGATORIO, Canto XXXI, Lines 22 - 48

At Long Last, Dante's Confession: PURGATORIO, Canto XXXI, Lines 22 - 48

Ever since INFERNO, Canto I, we've never fully understood why Dante woke up lost in that dark wood.

Now, in the Garden of Eden, Beatrice brings him to the point where he can voice what he did wrong. He can finally offer his confession.

It was all about her all along. And maybe about what he wrote. And maybe about another woman who caught his eye. Or maybe all of it at once.

Join me, Mark Scarbrough, as we explore the moment in PURGATORIO in which Beatrice finally brings the pilgrim to his full confession.

If you'd like to support this podcast, consider a small monthly stipend or a one-time donation, using this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[01:12] My English translation of PURGATORIO, Canto XXXI, Lines 22 - 48. If you'd like to read along or continue the conversation with me, please find this episode's entry on my website, markscarbrough.com.

[03:16] An easy outline of this passage.

[04:27] Recasting Dante's faults into metaphoric language.

[09:18] Dante's confession.

[12:40] Beatrice and the formal form of "you."

[14:34] Her acceptance of Dante's confession, leading him to contrition.

[18:15] Beatrice: allegory v. realism.

[23:15] Rereading the passage: PURGATORIO, Canto XXXI, lines 22 - 48.

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The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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16 Syys 30min

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13 Syys 29min

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9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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6 Syys 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

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Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

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Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

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