251. Unlucky Jim

251. Unlucky Jim

In 1976, Jim Callaghan took over from Harold Wilson as leader of the Labour Party and British Prime Minister. He was a competent politician, though not an outstanding one. He did his job well, but he was far from up to taking on an adversary as forceful as the leader of the Conservative Party, Maggie Thatcher.

Callaghan’s was the last government of the post-war consensus, based on a belief in a generalised social democracy, seeking to provide the social services needed to ensure that everyone could count on a safety net when one was needed, and built on a foundation of Keynesian economics. Thatcher rejected both social democracy and Keynesianism, which she held responsible for the decline of Britain, militarily, economically and even morally. Her objective was to end the postwar consensus and look for a radically new type of politics (and economics).

The other huge innovation she oversaw was an entirely new approach to communication in politics. Using a remarkably talented advertising agency, Saatchi and Saatchi, she and the Conservative party ran devastating campaigns against her opponents. The most famous was focused on a poster of a queue of people in front of a banner marked ‘Unemployment Office’ and with the legend ‘Labour isn’t working’.

As well as her powerful and effective campaigning, Labour was brought low by a series of errors made by Callaghan, many of which played into her hands. It was just possible that he might have won an election in 1978, or at least done less badly, but he lacked the foresight to call it (a mistake he later acknowledged). That meant that he went through the season of strikes that came to be known as the ‘Winter of Discontent’ and, instead of choosing the timing of the election himself, was forced to call one when Thatcher brought in a no confidence motion in the Commons, carried by just one vote.

The subsequent election, on 3 May 1979, saw the Conservatives win a solid majority of 43. Margaret Thatcher became Britain’s first woman Prime Minister. And, as we’ll start to see next week, launched herself on a programme of radical change.


Illustration: Rubbish piling up in the streets as a result of the municipal workers' strike of the during the 'Winter of Discontent'. Public Domain.

Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License


Jaksot(256)

31. The Stuarts: plumbing the depths

31. The Stuarts: plumbing the depths

We stand on the brink of saying goodbye to the Stuart kings, at last (not, alas, to the Stuarts though: they'll be back a couple more times to haunt us). The history of England saved the worst to last: James II, or James VII in Scotland, was the bottom of the barrel, the worst of the Stuarts, the man whose only achievement was to help shorten his reign by his sheer ineptitude. We'll find out how, we'll find out who was standing in the wings ready to take over, and how he needed to be invited before he'd come to the party. Illustration: Anne Hyde, the king's wife, with James II. By Sir Peter Lely National Portrait Gallery 5077 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

18 Huhti 202110min

30. Time to party

30. Time to party

In the course of Charles II's reign, we saw governments fall and an opposition beginning to emerge. The result was the formation of two distinct groups, the Whigs and Tories, the former looking for limited royal power, the other more strongly royalist. Neither was keen on Catholics, but the Whigs were rather more intent on protecting the country against what they saw as Papist plotting to overthrow the Protestant regime. It was in its early days, and it wasn't yet the party political system we know but perhaps don't love, but this was the beginning of its emergence. Illustration: A Solemn Mock Procession of the Pope, an engraving based on Stephen College, showing an event organised by Whigs in 1680, with effigies of the Pope, Cardinals, and other Catholic ecclesiastics, carried through the streets of London to be burned on bonfires. Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

13 Huhti 202114min

29. More gilded than golden?

29. More gilded than golden?

When we last took a look at the so-called golden age of Charles II, we talked about the persecution of Catholics and, in particular, the witch hunt launched against them during the Popish Plot craze launched by Titus Oates's fabrications. But Catholics weren't alone in being given a lousy time. Puritans, the more fundamentalists of Protestants, were also targets. They were seen as the main architects of the English republic that had just ended. They were also seen as dangerously unorthodox, when conformity was viewed as the right way to go. This was the last time, indeed, when anyone made the attempt to impose a single faith on Britain. So Episcopalians, the trend within the Church of England that was as close to Catholicism as you could get without giving up on Protestantism altogether, also persecuted Dissenters and Non-Conformist Protestants. And it wasn't a nice sight either... So this was another group of people for whom the age wasn't terribly golden. Ultimately, that was something that also revealed the relative loss of power of the king, and the emergence, notably in parliament, of tendencies of opinion opposed to each other, for or against the king. Religion and politics melded. And, for our next episode, we're going to see how that led to the beginnings of the party system. Illustration: The martyrdom by drowning of Margaret Wilson, a Scots Presbyterian who refused to bow to Episcopalian authority. Engraving from a nineteenth-century drawing by J E Millais. Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

8 Huhti 202111min

28. The golden age loses its sheen

28. The golden age loses its sheen

Was that golden age, following the restoration of the monarchy in England, really that golden? This episode looks at how it lost its sheen, particularly when the champion fabricator or fake news and false denunciations, Titus Oates, came along and plunged the country into the hysteria of the Popish Plot. That was like so many other witch hunts, even the McCarthy anti-Communist hunt in the 1950s. And, like most conspiracy theories, based on pure fiction. Or, rather, impure fiction. Illustration: Titus Oates, engraving after and unknown artist National Portrait Gallery D16604 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

3 Huhti 202114min

27. The Golden Age continues

27. The Golden Age continues

Charles II's Golden Age continues in this next episode, although the title, with its trace of irony, rather betrays some of the things that were going on under the surface. A lot of duplicity by the merry monarch, as well as some fine mistresses, and a growing head of steam for more active anti-Catholicism, drawing considerable encouragement from the behaviour of the monarch himself Illustration: Louise de Kéroualle, Duchess of Portsmouth, with an unknown female attendant by Pierre Mignard, 1682 National Portrait Gallery 497 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

29 Maalis 20218min

26. Restoration

26. Restoration

As any fan of Tolkien's Lord of Rings can tell you, nothing beats the return of a king. After the chaos that followed Richard Cromwell's following Oliver as Lord Protector, the restoration of Charles II, another Stuart, to the English throne seemed a relief and a promise of stability. What's more, his character - not for nothing is he called the Merry Monarch - promised lots of good things. Sadly, though, there weren't just good things... Illustration: Nell Gwynn in about 1680, by Simon Verelst National Portrait Gallery 2496 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

24 Maalis 202113min

25. Protectorate

25. Protectorate

In the 1650s, power concentrated in England into fewer and fewer hands, until in the end a Lord Protector was appointed and - surprise, surprise, since he dominated the Army Council which appointed him - Oliver Cromwell got the job. As it happens, a (somewhat cowed) parliament worked alongside him, so in a sense England had reached the point which parliament had sought before the Civil Wars: shared authority between a single ruler and itself. But most of the people running the system remained the same as before, or at least of the same class and mentality, and there had been no real revolutionary change. So it isn't hard to see that the republic would slide back into monarchy once Cromwell had died. This episode also looks at a couple of lasting legacies, however: Jews allowed back into England, and the triumphant bursting of coffee onto the scene. Long before tea... Illustration: Interior of a London Coffee-house, 17th century Anonymous: Unknown author, Public domain, via Wikimedia Commons Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

19 Maalis 202113min

24. Republic

24. Republic

Who could imagine that England could ever be a republic? And yet for eleven years it became one. Still, it would be a serious mistake to confuse 'republic' with 'democracy'. It swiftly became clear, as Oliver Cromwell rose to the summit of power - a power he never sought for personal satisfaction but saw as a necessary chore to take the country in a godly direction - that it was going to become something far closer to a despotic regime. A limited one, without the persecution of opponents you might expect, but not by any means a state based on the consent of the governed. That, the hope of some including, most notably, the Levellers, was not going to happen. Illustration: Cromwell turns out the Rump Parliament because of its corruption, 1653 ©petervick167/123RF.COM Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

14 Maalis 20219min

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