Mailbag: We Answer Your Questions About Spielberg vs. Netflix and "Film Twitter"
/Film Weekly6 Maalis 2019

Mailbag: We Answer Your Questions About Spielberg vs. Netflix and "Film Twitter"

On the March 6, 2019 episode of /Film Daily, /Film editor in Chief Peter Sciretta is joined by /Film senior writer Ben Pearson, and writer Hoai-Tran Bui to answer some listener emails in the Mail Bag. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). In The Mailbag: Austin from Dallas Texas writes in “I thought I would chime in. I lean towards Spielberg’s side on this. For me it’s not about Netflix or Amazon not being able to release a movie and it not being good. The Oscars to me is for a particular medium just like the Emmy’s. Netflix was using to me a loophole intended for shorts and indie films to their advantage. I feel they should have to do a wide release of their films to qualify. Idk how you put rules into place to not exclude indie films though. Maybe have it based on budget? To me Netflix movies are equivalent to straight to VHS/DVD/Blu-Ray. Those would not be considered for Oscars so why should they. Maybe it’s time to add a streaming category?” Langdon Kessner writes in “Hi Peter, Big fan of the site and the podcast. I'd like to offer a defense of Spielberg, and I'm honestly shocked that so many people are against him, specifically #FilmTwitter. Watching the argument go from "Spielberg hates Netflix" (which is not true) to "Spielberg doesn't care about minorities" (also not true) was maddening. For starters, it's important to note (and I'm surprised this wasn't mentioned on the podcast), Spielberg was a huge part of getting Five Came Back, a documentary, produced on Netflix. Author Mark Harris himself stated it would not exist without him. So this idea that Spielberg just hates Netflix and is a cartoon grandpa yelling at clouds is ridiculous (not saying you guys pushed this idea, but social media did). The issue here is the way Netflix treats their movies, and more importantly, the theaters. Not many of them have been given a proper theatrical release. And even the ones that do come with rules from Netflix. For the few theaters that were able to get Roma in 70mm, Netflix had a lot of rules that made it difficult for them to screen it. It had to be shown in Dolby Atmos, and it could only be screened from Thursday to Sunday. I know this because I wrote a series of articles on independent movie theaters in Boston, and still occasionally talk to the managers. All have said that Netflix is extremely cagey and reticent to conversation when it comes to showing their movies in theaters. Also important to note (and I was also disappointed this wasn't mentioned): Amazon Prime does not do this. They have a 90-day theatrical window and nobody, least of all Spielberg, is mad at them for it. That's the point Spielberg is making. That Netflix doesn't give their films a proper theatrical release, and instead just a token one so they can qualify for the Oscars. You guys mentioned on the podcast that it feels like elitists saying "No, you can't be in our club". To me, it feels like an first-year employee demanding a promotion without going through the ranks. And Joseph Kahn made a great point (I won't rehash the whole thing here), but "Oscars are meant to promote the theatrical experience. So Netflix releasing a movie in one theater and claiming they should be celebrated with an Oscar the same way like BlacKkKlansman or even yes, Green Book, is not remotely fair." Basically, if Netflix followed the Amazon Prime model, there'd be no issue. But they don't and prioritize home viewing which is television. A line does need to be drawn and this only happened because Netflix blurred the line between film and television. If they can afford to dump $8 billion in content, they can certainly afford a theatrical release. Sorry that I wrote a lot, but this debate has infuriated me. Two corporations are going to head-to-head yet Netflix is somehow the underdog? Ugh. This has nothing to do with quality of Netflix (which is Osca Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Jaksot(1779)

Ep. 0.2 - James Bond Cinematic Universe, Hellboy, Blade, Edgar Wright & More

Ep. 0.2 - James Bond Cinematic Universe, Hellboy, Blade, Edgar Wright & More

/Film Daily for June 29, 2017. Peter Sciretta talks about his experience seeing Luc Besson's Valerian and attending the Spider-man: Homecoming premiere. Jacob Hall joins us for the news: Could We Be Getting a James Bond Cinematic Universe? Neil Marshall on Going R-Rated With ‘Hellboy: Rise of the Blood Queen’ Kevin Feige Still Believes ‘Blade’ Will Return One Day Michelle Rodriguez Threatens to Leave ‘Fast and Furious’ if Female Characters Don’t Get Better Parts   In Our Feature Presentation, Ethan Anderton talks with Edgar Wright About the Movies That Influenced Baby Driver. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

29 Kesä 201726min

Ep. 0.1 - Silicon Valley, Tremors Sequel, Better Call Saul, Red Son Movie, Transformers Box Office, & Best Animated Kids Movies You’ve Never Seen

Ep. 0.1 - Silicon Valley, Tremors Sequel, Better Call Saul, Red Son Movie, Transformers Box Office, & Best Animated Kids Movies You’ve Never Seen

On our second test episode of /Film Daily, Ben Pearson joins us to talk about the following news stories: How ‘Silicon Valley’ Will Deal with T.J. Miller’s Departure Tremors Sequel TV Series Better Call Saul Season 4 Renewal A Red Son Superman Movie What Does ‘Transformers: The Last Knight’s Box Office Performance Mean for the future of the franchise? And for Our Feature Presentation, Rob Hunter joins us to share some of the Best Animated Kids Movies You’ve Never Seen. Send us feedback at orfilms@gmail.com or DM us on Twitter @slashfilm. As always, find more news and features on slashfilm.com. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

28 Kesä 201734min

Ep. 0 - Han Solo, Spider-Man, Rick & Morty, Sequels and Edgar Wright's Unreleased First Film

Ep. 0 - Han Solo, Spider-Man, Rick & Morty, Sequels and Edgar Wright's Unreleased First Film

Ethan Anderton (Bradford Oman) joins me on the first test episode to discuss all the craziness that we're hearing from behind the scenes of the Han Solo movie, a bunch of Spider-Man: Homecoming news which includes Spider-Man's role in Infinity War, his retconned appearance in Iron Man 2 and the MCU/Spiderverse connection, insight into why the new season of Rick and Morty is taking so long, details on a new sequels for The Conjuring and The Accountant. And in our Feature Presentation, Ethan tells us about his experience seeing Edgar Wright's unreleased first film A Fistful Of Fingers. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

27 Kesä 201734min

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