Walking With Dante
Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.

Tämä podcast on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi podcastin jaksot saattavat sisältää mainontaa.

Jaksot(509)

In Which Pilgrimage Becomes Crusade: PURGATORIO, Canto XXXIII, Lines 61 - 78

In Which Pilgrimage Becomes Crusade: PURGATORIO, Canto XXXIII, Lines 61 - 78

Beatrice concludes her monologue at the end of PURGATORIO with some dazzling metaphoric pyrotechnics, a slam on Dante's intellect, and a redefinition of this journey across the known universe. It's no...

29 Maalis 29min

Take Notes, Dante: PURGATORIO, Canto XXXIII, Lines 46 - 60

Take Notes, Dante: PURGATORIO, Canto XXXIII, Lines 46 - 60

Beatrice continues her discourse at the end of PURGATORIO by offering Dante classical examples of her own obscurity, Christian resonances for the very hope of writing, and a challenge for him to becom...

25 Maalis 23min

Beatrice And Her Cryptic "Five Hundred Ten And Five": PURGATORIO, Canto XXXIII, Lines 25 - 45

Beatrice And Her Cryptic "Five Hundred Ten And Five": PURGATORIO, Canto XXXIII, Lines 25 - 45

As Beatrice and Dante continue to walk through Eden, she begins the final discourse that will end PURGATORIO: a cryptic, apocalyptic vision of the world (or maybe just the church?) set right. But by w...

22 Maalis 30min

Walking With Beatrice In Eden: PURGATORIO, Canto XXXIII, Lines 1 - 24

Walking With Beatrice In Eden: PURGATORIO, Canto XXXIII, Lines 1 - 24

From tragedy to comedy, the apocalyptic vision in Canto XXXII has come to an end and Beatrice accepts Dante as her walking companion in Eden.A relatively easy passage begins the final canto of PURGATO...

18 Maalis 29min

Apocalypse Even In Eden, Part Two: PURGATORIO, Canto XXXII, Lines 109 - 160

Apocalypse Even In Eden, Part Two: PURGATORIO, Canto XXXII, Lines 109 - 160

In the last episode, we talked through some of the "superficial" factors in the grand apocalyptic vision in Eden: its structure, some diction cues, even a few rifts or cracks in its flow.In this episo...

15 Maalis 25min

Apocalypse Even In Eden, Part One: PURGATORIO, Canto XXXII, Lines 109 - 160

Apocalypse Even In Eden, Part One: PURGATORIO, Canto XXXII, Lines 109 - 160

Dante is now ready for the final apocalyptic vision of PURGATORIO . . . and in the last place we might expect it: in that bastion of innocence and purity, the Garden of Eden.In seven vignettes, Dante ...

11 Maalis 28min

A Brief Introduction To Women In The High Middle Ages

A Brief Introduction To Women In The High Middle Ages

Before we continue with Beatrice (and even the young woman who tends the Garden of Eden), let's stop and talk all too briefly about the roles and available places for women in Dante's day, the high mi...

8 Maalis 21min

Beatrice, Changed; Dante, Panicked; And The Reader, De-centered: PURGATORIO, Canto XXXII, Lines 70 - 108

Beatrice, Changed; Dante, Panicked; And The Reader, De-centered: PURGATORIO, Canto XXXII, Lines 70 - 108

Dante wakes back up from his unexpected sleep to find that the grand parade is heading off into the forest (or maybe the skies). He's in a panic that Beatrice has left, too, although the young woman o...

4 Maalis 34min