The Intellectual World War w/ Gabriel Rockhill
Upstream13 Feb

The Intellectual World War w/ Gabriel Rockhill

In this episode we're joined by Gabriel Rockhill to discuss his new book, Who Paid the Pipers of Western Marxism, which takes a fascinating dive into the world of anticommunist Marxism and the role that the CIA and other nefarious imperialist forces play in dividing and neutralizing the left. Gabriel Rockhill is a philosopher, cultural critic, and activist teaching Philosophy and Global Interdisciplinary Studies at Villanova University and he runs an educational nonprofit called the Critical Theory Workshop. He is the editor of multiple books, including Western Marxism: How it was Born, How it Died, How it can be Reborn, by the Italian Marxist Domenico Losurdo.

The conversation opens with an overview of Who Paid the Pipers of Western Marxism, orienting us towards Gabriel's analysis of bourgeois intellectual production and its role in perpetuating anticommunism among the left. We then bring in the Epstein files and discuss their relevance to our conversation before exploring what led to Gabriel writing about the intellectual world war and the process of putting this book together itself.

We then introduce the idea of intellectual warfare and the role that the intellectual world war plays in shaping our ideologies in the most insidious and pervasive ways. We explore why the US empire must control our minds in such a way in order to maintain its hegemony, and what this looks like in practice. Gabriel then tells us about the political economy of knowledge production and the role of the imperial professional-managerial class plays in intellectual production.

We then discuss real world examples of how the compatible left was used by the financial-state-intellectual complex in its global war against communism—from the Frankfurt School to Noam Chomsky and beyond. We end with a commemoration of a left figure who embodies the opposite of the compatible, anticommunist left: Michael Parenti.

Further resources:

Related episodes:

Intermission music: "Song for Alicia" by Haley Heynderickx and Max García Conover

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