Chuck Close
Chuck Close said when a problem seems overwhelming, you should break it down into smaller pieces. To tackle the photorealistic faces, Chuck Close would use a grid. He broke the image down into sections allowing him to focus on the lines, shapes, and proportions one little bit at a time. In his early works, he would erase the grid as he painted, but as he matured, he chose to lean into the grid. He not only left it visible, but in many works he emphasized it making the paintings appear almost pixilated as the viewers see every square he plotted. As a child, he wanted to be a magician, but couldn’t resist revealing how the tricks were done. For him, it was more impressive when you see the work that produces the magic, and I gotta say I agree. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Avsnitt(790)

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TLDR Anish Kapoor | Cloud Gate (The Bean)

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Ettore Sottsass | Carlton & Memphis Design

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Author Interview: Ryan T. Pozzi | The Mess that Made Them

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TLDR Eugène Delacroix | Liberty Leading the People

TLDR Eugène Delacroix | Liberty Leading the People

Eugène Delacroix stands as one of the defining figures of 19th-century French art and the leading pioneer of the Romantic movement. Rejecting the rigid, line-driven academic standards of Neoclassicism...

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Joseph Ducreux  | Self-Portrait of the Artist in the Guise of a Mocker

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Joseph Ducreux (1735–1802) was an innovative French portrait painter known for defying the rigid conventions of 18th-century academic art. After training under masters such as Jean-Baptiste Greuze, Du...

24 Aug 11min

Fernand Léger | Composition in Blue

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