Weekend Woman's Hour: Gisèle Pelicot and Mother Courage

In 2024, Gisèle Pelicot waved her legal right to anonymity for the trial of her then husband, declaring that shame has to change sides. Her then husband had drugged and raped her and invited other men to rape her, filming as they did so. He was found guilty of her aggravated rape, along with 46 other men. Gisèle has now written her memoir, A Hymn to Life and joins Nuala McGovern to talk about her decision to have an open court, the devasting effect on her and her family of her ex-husband’s actions and finding love again in her 70s.

New Ground is the UK’s first purpose-built co-housing community for women over 50, designed and developed on their own terms. The women moved in ten years ago, and the community is still going strong. But what’s it really like to live this way? Kylie speaks to two residents, Jude and Ann.

Hannah Murray is best known for playing Cassie in E4’s teen drama Skins, and as a regular in the HBO fantasy series Game of Thrones as Gilly. But behind the scenes Hannah was struggling with her mental health, and she found herself involved in an organisation that offered courses in magical healing. The following year, Hannah was diagnosed with bipolar disorder. She’s since retired from acting and written a memoir about those turbulent times, called The Make-Believe – A Memoir of Magic and Madness.

A newly qualified doctor, Charlotte Buttercase, has said she was subjected to repeated sexual harassment and intimidation while studying medicine at the University of Manchester. 32 other female students have now come forward to report similar abuse. Charlotte joins Nuala alongside Henry Budden, the co-chair of the BMA medical students committee.

Mother Courage and Her Children is Bertolt Brecht’s 1939 tale of a wartime profiteer who prefers to see herself as a savvy survivor and devoted mother. Currently on stage at the Globe in London for the first time, Nuala speaks to playwright Anna Jordan who has adapted the story for a modern audience. Why is this story one for retelling now and why does it continue to be performed more than 80 years later around the world?

Produced by Kirsty McQuire Presented by Kylie Pentelow