What You Read Determines What You See: Inferno, Canto XXIII, Lines 4 - 57

What You Read Determines What You See: Inferno, Canto XXIII, Lines 4 - 57

Dante the pilgrim and his guide Virgil appear to have escaped the nasty demons in the fifth pouch of fraud, down in the eighth circle of Inferno.

But they'd better get a move on! The demons are coming fast! How do they know? Because Dante's read a lot.

Join me, Mark Scarbrough, as the sequences about barratry all come down to meta-literary fantasia on texts, reading, writing, and knowing the world around you. You knew fraud was about the writing of COMEDY. Here's proof!

Here are the segments of the episode of this podcast of WALKING WITH DANTE:

[01:45] My English translation of INFERNO, Canto XXIII, lines 4 - 57. If you'd like to see this translation, check it out on my website, markscarbrough.com.

[05:22] Aesop starts the passage--and turn this whole episode into a meta-literary fantasia based on the players in the fable.

[14:21] Experiential truth is found in what you've read. And you read predicts what will happen to you!

[16:42] The pilgrim's interiority has been crafted by what he's read--which exhibits itself right in front of him in the physical world.

[21:14] Virgil's reply indicates that your literary ancestors mold your thoughts into action.

[25:25] Virgil as a (naked!) mother.

[30:09] Apparently, literary texts don't create everything!

[32:20] Virgil and Dante the pilgrim escape without any need for deus ex machina.

[35:07] The fifth evil pouch of barratry ends up being a meta-literary structure about the writing of COMEDY.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
erotikkpodden
skrem-deg-bort
rss-kulturnorge
rss-kokosbananas
litteraturhusets-podkast
den-siste-hytteturen
hvite-menn-som-pusher-80
rss-hemmelig-liga-av-dode-menn-lydbok
rss-smaltalk
rss-privatetterforskeren
edgar-allan-poes-skrekkverden
rss-radiotjenesten-2
rss-skrekk-norske-noveller
hort-pa-reddit
jediradet-en-star-wars-podcast
rss-snorksnakk