A Review And Reading Of The Entire Fifth Evil Pouch Of Fraud: Inferno, Canto XXI, Line 1 - Canto XXIII, Line 57

A Review And Reading Of The Entire Fifth Evil Pouch Of Fraud: Inferno, Canto XXI, Line 1 - Canto XXIII, Line 57

We've been through the circle of barratry, of political grift--and now it's time to look back over this vast landscape of text in Dante's INFERNO.

Join me, Mark Scarbrough, as I read the entire passage: from Inferno, Canto XXI, line 1 all the way through Canto XXIII, line 57.

This is my translation. You can find it in bits and pieces on my website, markscarbough.com. But I'd rather you just sit back and listen to the story. You'll hear Dante's narrative craft and feel his art at work in his text.

Here are the segments of this episode of the podcast WALKING WITH DANTE:

[02:06] My reading the full passage of the fifth evil pouch, the fifth of the malebolge, in the eighth circle of hell, the circle of INFERNO's fraud: Canto XXI, line 1, through Canto XXIII, line 57.

[19:26] Can you feel the narrative arc?

[20:49] Some thoughts. First, the larger story goes over the canto breaks.

[21:19] Second, the arc moves from what's left out of COMEDY to the literary analysis of other texts.

[22:16] Third, there are long similes that start and end this sequence--and most of those similes are very downscale, very homey, even folkloric.

[24:03] Fourth, at the front of the sequence, Virgil alerts Dante the pilgrim to the danger. At the end, Dante alerts Virgil.

[25:03] Fifth, the demons' wings are open at the beginning and ending of the sequence.

[25:25] Sixth, everyone is at one point or another made into a fool--or perhaps, a mark.

[27:35] Seventh, the characters in the sequence of barratry all have clear motivations--which are actually (or providentially?) fulfilled.

[29:51] Dante the pilgrim is changing--and Dante the poet hopes you are, too.

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Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

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16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

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9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

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Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

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