The Shifty Thieves, The Certain Judgment, The Uncertain Poet: Inferno, Canto XXV, Line 142 - Canto XXVI, Line 12

The Shifty Thieves, The Certain Judgment, The Uncertain Poet: Inferno, Canto XXV, Line 142 - Canto XXVI, Line 12

Dante the poet has finally wrapped up the pilgrim's time in the seventh of the evil pouches, the "malebolge" that make up the eighth circle of INFERNO, the great expanse of fraud. Our thieves have gone off stage and we're left with both an uncertain poet and a very certain prophet who sees Florence's destruction in the offing.

Join me, Mark Scarbrough, as we explore the final passage among the thieves, a passage that stretches over the canto break from INFERNO XXV to canto XXVI.

Here are the segments of this episode of the podcast WALKING WITH DANTE:

[01:36] My English translation of the passage: INFERNO, Canto XXV, Line 142 - Canto XXVI, Line 12. If you'd like to read along, you can find this passage on my website, markscarbrough.com.

[03:51] The final revelation of the metamorphosizing thieves--which raises more questions than it answers.

[06:53] An overview of the identities of the six thieves we've met in the seventh of fraud's malebolge.

[09:35] Four (or five) reasons Dante the poet may have been so cagey about the identities of the five Florentine thieves.

[17:11] Dante the poet slips a confession about his own writing into the end of Canto XXV.

[19:15] The denunciation of Florence: the final metamorphosis of the pilgrim into the poet-prophet.

[20:44] The dream of Florence's destruction--and a question about what "Prato" means in the text.

[25:05] The final metamorphosis is sorrow.

[28:43} The opening of Canto XXV is actually setting us up for the arrival of one of the great sinners of hell just ahead of us.

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Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

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23 Sep 23min

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The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

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20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

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16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

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9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

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Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

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