How To Hold Onto Your Humanity, Even In Hell: INFERNO, Canto XXIX, Lines 73 - 108

How To Hold Onto Your Humanity, Even In Hell: INFERNO, Canto XXIX, Lines 73 - 108

We've come to the final evil pouch (or "malebolge") in the giant, hellish circle of fraud, Dante's largest piece of real estate in all of COMEDY.

This last pit is also one of the more disgusting spots in Inferno: a medieval medical ward, full of contagion, the nightmare for anyone in the 1300s.

Join me, Mark Scarbrough, as we hear from the first of many of the damned in this foul pit--and as we watch Dante the pilgrim hold onto his humanity, even in the face of the sorts of diseases that could kill him and everyone he loves.

Here are the segments of this episode of WALKING WITH DANTE:

[01:31] My English translation of the passage: INFERNO, Canto XXIX, lines 73 - 108. If you'd like to read along or leave a comment about this episode, please go to my website, markscarbrough.com.

[04:25] There are echoes and contrasts in this passage to previous bits in Canto XXIX and even before.

[08:55] These opening images are not pastoral. Rather, these images are distinctly up-market. Don't think "hovel." Think "manor house." (I don't mention it in the episode, but they even tie directly to Virgil's reference to "chain mail" in the passage.)

[13:03] A meta-literary point: There are two narratives (or stories) in COMEDY: the narrative of the journey and the narrative of the fiction.

[16:06] What diseases do these guys have? Leprosy? Scabies? Rabies? And why does it matter?

[22:00] Dante's genius is on full display in the character of Virgil: a fallible, changeable, but still great poet.

[24:39] How do you avoid losing your humanity in hell?

[28:53] How do you avoid losing your humanity when you write about the terrible truths of the human condition?

[33:12] Rereading INFERNO, Canto XXIX, lines 73 - 108.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
erotikkpodden
skrem-deg-bort
rss-kulturnorge
rss-kokosbananas
litteraturhusets-podkast
den-siste-hytteturen
hvite-menn-som-pusher-80
rss-hemmelig-liga-av-dode-menn-lydbok
rss-smaltalk
rss-privatetterforskeren
edgar-allan-poes-skrekkverden
rss-radiotjenesten-2
rss-skrekk-norske-noveller
hort-pa-reddit
jediradet-en-star-wars-podcast
rss-snorksnakk