A Review And Overview Of Fraud's Tenth Evil Pouch: Inferno, Canto XXIX, Line 1, through Canto XXXI, Line 6

A Review And Overview Of Fraud's Tenth Evil Pouch: Inferno, Canto XXIX, Line 1, through Canto XXXI, Line 6

Eleven episodes! That's how long it took us to get through the tenth and last of the evil pouches (the "malebolge") of fraud, Hell's vast eighth circle.

Join me, Mark Scarbrough, as we look back over this last pouch. I'll reread the entire pouch from my English translation. Then I'll pose six issues for more discussion: five discussion questions we would bat around if we were in a literary seminar together, and a sixth point that may help bring the last pouch into better focus.

Here are the segments of this episode of WALKING WITH DANTE:

[01:47] A reading of my English translation for INFERNO, Canto XXIX, Line 1, through and including Canto XXXI, Line 6. If you'd like to see this translation or read along, you can find it broken up into the various episodes on my website, markscarbrough.com.

[18:13] An overview of the discussion points ahead.

[18:49] Discussion point #1: Why is the tenth of the evil pouches (the "malebolge") bracketed with Virgil's rebukes?

[22:55] Discussion point #2: How does the material from Ovid work inside the last of the pouches of fraud?

[27:32] Discussion point #3: Why does Master Adam alone lack a double?

[29:52] Discussion point #4: How exactly does Master Adam's dropsy illustrate his contrapasso? And what does that say of the punishments of other counterfeiters?

[32:48] Discussion point #5: Why is Dante writing beyond the ending of Bible stories?

[38:53] Discussion point #6: At the end of fraud, why does Dante the poet focus so intently on the humanity of the damned?

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Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

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