Count Ugolino As A Perversion And Affirmation Of The New Testament: INFERNO, Canto XXXIII, Lines 1 - 78

Count Ugolino As A Perversion And Affirmation Of The New Testament: INFERNO, Canto XXXIII, Lines 1 - 78

On first glance, Count Ugolino's speech appears to be quite secular. He even appeals to the earth, not God, to save him and his sons.

In fact, Dante has woven an incredible tapestry of New Testament references together to make this monologue.

Join me, Mark Scarbrough, as we look over Ugolino's speech as both a parody and an affirmation of Jesus' teaching.

Here are the segments of this episode of WALKING WITH DANTE:

[00:59] What's about to happen in this podcast episode and a little bit about how the New Testament took shape.

[04:56] Ugolino and Jesus' parable of the sower.

[10:41] Ugolino and the irony of loving his neighbor.

[15:09] Ugolino and the torn veil.

[17:51] Ugolino's story as a parody of the eucharist.

[20:25] Ugolino and the annunciation.

[21:34] Ugolino and Jesus' parable of the persistent neighbor.

[23:42] More on the parody of the eucharist in Ugolino's monologue.

[25:24] Ugolino turns down the sacrifice (sacrament?).

[26:16] Ugolino's secular plea in the middle of so many references to Jesus.

[26:48] Gaddo's last words are an echo of Jesus' last words.

[27:58] Ugolino's last line in the interpretive history of COMEDY.

[30:25] One more reference: dogs and crumbs off the master's table.

[33:29] Is Ugolino's fate what's gnawing the church?

[35:12] The concentration of New Testament references anticipates our approach to Purgatory.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(509)

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

The Diversity of Being in a Universe of Light: PARADISO, Canto II, Lines 106 - 126

Beatrice now launches into the true explanation for moon spots, found not in folklore, not in natural philosophy, but in metaphysics.Her explanation pushes her to disclose the parts of the universe we...

2 Sep 28min

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Testing Theology With Optics: PARADISO, Canto II, Lines 85 - 105

Beatrice continues in her scientific and Scholastic explanation for moon spots by taking apart a secondary argument . . . and proposing an optical experiment.She voices an objection Dante might have: ...

30 Aug 26min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
erotikkpodden
skrem-deg-bort
rss-kokosbananas
litteraturhusets-podkast
rss-kulturnorge
den-siste-hytteturen
hvite-menn-som-pusher-80
rss-smaltalk
rss-hemmelig-liga-av-dode-menn-lydbok
edgar-allan-poes-skrekkverden
rss-privatetterforskeren
god-natt
rss-skrekk-norske-noveller
rss-radiotjenesten-2
rss-rollespillpodden
hort-pa-reddit