Pink Floyd-Pipers at The Gates of Dawn with guest Mark Blake

Pink Floyd-Pipers at The Gates of Dawn with guest Mark Blake

(S4 Ep15) Pink Floyd-Pipers at The Gates of Dawn with guest Mark Blake

Released August 4, 1967, Recorded February 21-May 2, 1967 (EMI)

Piper at the Gates of Dawn (1967) is Pink Floyd’s debut album, largely shaped by Syd Barrett's visionary, whimsical songwriting and experimental approach to psychedelia. Combining surreal lyrics with complex musical arrangements, the album became a defining work of the British psychedelic scene. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcase the band’s innovative use of studio effects and improvisation. At the same time, songs such as "Lucifer Sam" and "Matilda Mother" blend folk influences with dreamy, eccentric storytelling. The album's experimental nature and Barrett's increasing mental instability, worsened by heavy drug use, marked the band’s transition from a psychedelic force to something more expansive. Despite its initial mixed reception, Piper is now a cornerstone of rock history. It reveals the early creativity of a band destined for greatness but also foreshadows the tragic unraveling of Barrett's role, paving the way for Pink Floyd's future with David Gilmour.

Signature Tracks: "Astronomy Domine," "Lucifer Sam," "Flaming"

Full Album: YouTube, Spotify

Playlist YouTube, Spotify


Episoder(81)

Buffalo Springfield-Self-Titled 

Buffalo Springfield-Self-Titled 

#28-Buffalo Springfield-Self-Titled  Original Released October or December 1966? Without “For What It’s Worth,” then Re-released in March 1967 - Recorded between July 18-September 11-1966 (ATCO)  Buffalo Springfield's self-titled debut album, initially released by Atco Records in late 1966, introduced the world to the band's distinctive blend of folk, rock, country, and psychedelia. The original release, recorded between July and September 1966, lacked a major hit but gained significant attention after a March 1967 re-release added the protest anthem "For What It's Worth." Inspired by the Sunset Strip riots, this song became a defining track of the 1960s. The band was formed in Los Angeles in 1966 and featured Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. Their music was marked by rich harmonies, shifting lead vocals, and layered guitar work. The album's tracks explore themes of self-reflection and relationships, with standout songs like "Nowadays Clancy Can’t Even Sing" and "For What It's Worth." Despite their brief existence, Buffalo Springfield made a lasting impact on music. Internal conflicts and lineup changes led to their breakup in 1968. Afterward, members pursued successful careers: Stills with Crosby, Stills & Nash, Young as a solo artist, and Furay with Poco. Their legacy remains as pioneers of a sound that influenced rock music for years. Full Album YouTube  : https://youtu.be/1eD-8NTwP9I?si=omLhl8gszwcGg-hI Full Album Spotify: https://open.spotify.com/track/1qRA5BS78u3gME0loMl9AA?si=f5a282e8f75c4b46 Curated Playlist Spotify:  https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=4559f6bc82dc47e3

22 Aug 202420min

The Kinks -Face To Face

The Kinks -Face To Face

The Kinks -Face to Face Released October 28, 1966.Recorded mainly from mid-April to June 1966, except “I’ll Remember” (October 1965).  (Pye Records in the UK and Reprise in the US) Face to Face (1966) by The Kinks marked a major shift in the band's style, moving from their earlier harder-driven sound to a more nuanced blend of baroque and pop music hall influences. This was the first album to feature only Ray Davies' compositions, showcasing his observational and satirical songwriting, which explored themes of English culture, social class, and personal struggles. Despite containing the hit single "Sunny Afternoon," the album initially received a lukewarm reception, particularly in the U.S. However, it has since gained critical acclaim and is now seen as pivotal in The Kinks' evolution. Notable tracks include "Party Line," "Dandy," “Little Miss Queen of Darkness,” and "Too Much on My Mind," with the album reflecting the band's growing maturity and experimentation. Face to Face is considered a milestone in 1960s rock, setting the stage for The Kinks' future successes. Spotify Link To Album https://open.spotify.com/album/1SbqioSVe6TgXudiKMKEaB?si=svhTQE_sSbSRoeUWb2Y7og YouTube Link to Album https://youtu.be/AhblfjqfF4c?si=1jo85drAPxAj80n4 Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=3ca8897e2d7a43ff

15 Aug 202416min

Alvester Garnett Interview

Alvester Garnett Interview

Alvester Garnett Interview Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife. In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett’s ongoing commitment to jazz and his ability to blend leadership with collaboration. Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. https://centraljerseyjazzfestival.com/

13 Aug 20241h 2min

Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme 

Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme 

#S3-26 Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme  Released October 24, 1966- Recorded Between December 1965 and August 1966 (Columbia Records)  Parsley, Sage, Rosemary, and Thyme is Simon & Garfunkel's third studio album, showcasing a blend of folk-rock, acoustic, and introspective songs. It includes classic tracks like "Homeward Bound" and "Scarborough Fair," as well as the lesser-known hit "The Dangling Conversation." The album highlights Paul Simon's songwriting craftsmanship, thought-provoking lyrics, and innovative arrangements, perfectly complemented by the duo’s harmonies. This record marked a significant evolution in their music. It expanded the possibilities of folk-based music, influencing future songwriters and reinforcing Simon & Garfunkel's enduring legacy in music history. YouTube Playlist https://youtu.be/V1IRDT8TInY?si=euk08ojJWSIo0qnX Spotify Playlist https://open.spotify.com/album/1sh32o99zA04PJIUJUpEj7?si=VXKahQuvRLacGUM34ge1Qw Curated Season Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=570634dc82084781 https://youtube.com/playlist?list=PLqkHb3duD6BTd4l7sJzo2RPeMTpYmqZqU&si=EJPbzwpx6tcGWk1_

7 Aug 202420min

The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators

The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators

(S3-25) The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators (International Artists Label) Released October 17, 1966, Recorded between January 3rd and October 11, 1966  Formed in Austin, Texas, in December 1965, the 13th Floor Elevators were pivotal in the psychedelic rock movement. Their debut album, The Psychedelic Sounds of the 13th Floor Elevators (1966), is noted as one of the first to describe its music as "psychedelic." Featuring the hit single "You're Gonna Miss Me," the album blended raw garage rock with folk blues and surreal elements. Roky Erickson's gritty vocals, Stacy Sutherland's reverb-drenched guitar, and Tommy Hall's electric jug playing created a distinctive sound that influenced many future musicians. Despite commercial challenges and internal struggles, the band's innovative approach significantly impacted the evolution of rock music, helping shift it from pop roots to a more artistic expression. You Tube (Full Album) https://youtube.com/playlist?list=PLL-NbN8uTOiiWCx_-GC5xB7BH2z5nTJ8m&si=zRBAvq614zAvu_d6 Spotify (Full Album) https://open.spotify.com/album/2afQ7u8n1CzNBAHjl6OQCG?si=fDrFC4cZT-6e26bbeHRzSA Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=ba8099bd98b548af

1 Aug 202416min

The Monkees-Self-Titled

The Monkees-Self-Titled

#24-The Monkees-Self-Titled  (Colgems Record)  Released October 10 and Recorded July 5-25 Formed in 1965 by television producers inspired by The Beatles' "A Hard Day's Night," The Monkees—Micky Dolenz, Michael Nesmith, Peter Tork, and Davy Jones—became a cultural phenomenon. Despite criticism for their prefabricated nature and reliance on studio musicians, their debut album, The Monkees, released on October 10, 1966, achieved commercial success. Featuring hits like "Last Train to Clarksville" and "(Theme From) The Monkees," the album showcased catchy pop-rock tunes that captivated a young audience. Blending humor and music, the Monkees' TV show further cemented their popularity. Despite internal tensions and the desire for creative control leading to changes and eventual disbandment in 1971, the group's legacy endured, with reunions and enduring fan appreciation. Notable tracks on the album include the folk-rock blend "Papa Gene's Blues" and the experimental "Sweet Young Thing."

25 Jul 202417min

Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul

Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul

#23- Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul (Stax) Released October 1966, Recorded May-September 1966  Complete & Unbelievable: The Otis Redding Dictionary of Soul, recorded at Stax Recording Studios in Memphis, is a seminal work in Otis Redding's career and soul music. Produced by Jim Stewart, Isaac Hayes, and Booker T. Jones, the album features legendary Stax studio musicians like Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr., Booker T. Jones, and the Memphis Horns. It includes standout tracks such as the iconic "Try a Little Tenderness," "Fa-Fa-Fa-Fa-Fa (Sad Song)," and "My Lover’s Prayer " along with covers like "Day Tripper" and "Tennessee Waltz," each showcasing Redding's dynamic vocal range and the band's tight, soulful arrangements. The album received critical acclaim, reaching #5 on the Billboard R&B chart and #73 on the Billboard 200, solidifying Redding's legacy as a master of soulful expression and musical innovation. Full Album on YouTube https://youtube.com/playlist?list=PLn1E4mv4x-I4oNQ0qlroeWXxa4lDD4Lj9&si=6SlxhnkIL8UdM3Ms Full Album on Spotify https://open.spotify.com/album/25uNcuL4dAoV62eKmr8Q0Y?si=hK3DknToSX2TkN_3ggWDiA Curated 1966 Playlist Spotify: https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=a07e4d1e27944d00

17 Jul 202415min

Mindi Abair Interview

Mindi Abair Interview

Mindi Abair Interview Mindi Abair is a Grammy-nominated saxophonist and vocalist renowned for her dynamic blend of contemporary jazz, rock, and blues. Raised in a musical family, her early influences included her saxophonist father and opera-singer grandmother. After studying at Berklee College of Music, she moved to Los Angeles, where she played with high-profile acts like the Backstreet Boys and Aerosmith before launching a successful solo career. Known for her energetic performances and collaborations with artists like Booker T, Greg Allman and Joe Perry, Abair also co-runs WineandJazz.com with her husband, combining her passions for music and wine through unique events. https://www.mindiabair.com/

12 Jul 202455min

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