266. A time of dodgy dossiers

266. A time of dodgy dossiers

When Tony Blair took Britain to war in Iraq in 2003, as part of a US-led and rather limited coalition of nations, it was against the will of large numbers of Brits expressed in possibly the biggest demonstration in British history.

He’d also decided to hold a vote in parliament as to whether to go into the war, something he didn’t strictly have to do since it was a so-called ‘prerogative power’, one of the powers inherited from the monarch though exercised, not by the whole of parliament, but by ministers with no need to obtain parliamentary approval. His decision set a new precedent in requiring parliamentary authority to go to war. He also made it a matter of confidence, so his government would have fallen had he lost.

That didn’t stop a massive rebellion among Labou MPs, when nearly 40% failed to rally to the government’s support. That didn’t bring him down or prevent involvement in the war, because the Conservatives came to his rescue. It did, though, mean that he took Britain into the conflict in Iraq in the teeth of opposition both from around the country and from many within his own parliamentary party.

To push for support, he’d presented parliament with two dossiers detailing the dangers represented by the Iraqi dictator Saddam Hussein. Both have been shown to be shot through with false claims. That meant that the war was fought on false premises.

Such a war, fought on that basis, marked the end of what Blair had once seemed to value, the government’s commitment to an ‘ethical foreign policy’. It’s no surprise that the architect of that policy, Robin Cook, and two other ministers resigned from the government.

It also meant that he as well as the victims of the war would be paying a heavy price for having got involved in it. As we’ll discover in the next episode.


Illustration: ‘45 mins from attack’: headline in the Evening Standard newspaper, in response to the September 2002 dossier on supposed weapons capabilities in Iraq.

Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License



Episoder(268)

19. First Civil War: Parliament gets serious

19. First Civil War: Parliament gets serious

Parliament getting serious about the Civil War, getting its act together on military matters - above all by launching its New Model Army - and starting to win some key battles. Against that context, and helping Parliament on its way to success, there's the meteoric rise of Oliver Cromwell, a man whose military ability hadn't been suspected before. Not that this will be the end of his surprises for England. The episode ends as the First Civil War - ironically referred to as the 'Great Civil War' - also closes with poor old King Charles I in pretty dire straits. General Oliver Cromwell at Marston Moor, 1644 Engraving by William French after Ernest Crofts ARA, published by J S Virtue and Company Limited, London, 1860 (c). National Army Museum. 1999-04-158-1 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

17 Feb 20219min

18. First Civil War: the fight gets going

18. First Civil War: the fight gets going

Oh dear, oh dear. Charles I pushed and pushed. Eventually, the other side pushed back. First it was the Scots, who turned out to be a lot better at fighting than Charles had imagined, and gave him a considerable black eye. Then, when he turned to Parliament in London, after eleven years without calling one, far from getting the funds he needed to fight the Scots, he found himself at loggerheads with them too. And then things turned even nastier... The illustration is courtesy of the National Army Museum, and shows 'roundhead' cavalrymen in Moorland. Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

12 Feb 202113min

17. Things fall apart

17. Things fall apart

Charles I, like his father, proved extremely good at not being at all good at getting on with people he really needed to be really good at getting on side. Just like with his Dad, that mainly meant Parliamentarians. People like John Hampden, one of the great warriors against royal overreach, and a certain Oliver Cromwell who - and I don't think this is a spoiler - would have a pretty big role to play later. There was one big difference between father and son, though: James managed to avoid things getting so bad that they degenerated into actual warfare. Welcome to the threshold of the English Civil Wars. King Charles I, by Gerrit van Honthorst, oil on canvas, 1628 National Portrait Gallery, London, 4444 http://creativecommons.org/licenses/by-nc-nd/3.0/ Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

7 Feb 202110min

16. Slippery Slope

16. Slippery Slope

Charles I started his reign in just the way he'd go on with it, and in just the way his father James I/VI had ended his: by getting right up the noses of most of his subjects in Scotland as well as England, and falling apart big time with the Westminster Parliament. Having failed with one attempt at a marriage with a Catholic Princess from Spain, he just organised himself a different one, with a Catholic Princess from France - Spain's deadliest enemy but just as Papist. He got into disputes with Parliament and Protestants generally about anti-Protestant, or even pro-Catholic action, and with Parliament specifically about taxation, since he could never raise enough for his needs without their authorisation, which he resented. In this neat way, he set up all the pieces for the painful clashes he'd face over the following years. The illustration is a portrait of King Charles I, by Gerrit van Honthorst, oil on canvas, 1628 National Portrait Gallery, London, 4444 The music is Bach Partita #2c by J Bu. Both image and music are licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License http://creativecommons.org/licenses/by-nc-nd/3.0/

2 Feb 20218min

15. Bad to Worse

15. Bad to Worse

The end of James Stuart's reign over Scotland and England was no more impressive than the earlier part. One of the wonderful, crazy and ultimately futile episodes was the 'Spanish Match', involving the future Charles I and his father's favourite, the future Duke of Buckingham, travelling to Madrid to try and grab a bride for Charles. An attempt which involved a bit of stalking, understandably rejected by the lady involved. And it was a total failure, unsurprisingly. And yet... Charles was greeted by cheering crowds on his return to England. Illustration: Maria Anna of Spain, by Diego Velázquez Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

28 Jan 20218min

14. Reckless Romanticism, a Touch of Gayness, and Bonfires

14. Reckless Romanticism, a Touch of Gayness, and Bonfires

The marriage of James VI of Scotland, later James I of England, to Anne of Denmark started off with some romanticism, including a dangerous sea crossing to fetch her home, and it certainly produced a lot of pregnancies (very much a royal couple's duty), though things then rather faded. That's possibly because James wasn't quite as interested in women as the initial gesture suggested. But there was no way he could be openly gay at that time. There were also quite a few conspiracies against him, most famously the 'Gunpowder Plot' in which Guy Fawkes played a major role. That left Britain with its annual bonfire nights, including the burning of the unfortunate Guy in effigy. Not perhaps the most charming of traditions. Illustration: George Villiers, Duke of Buckingham, favourite of James I of England Portrait by Michiel J. van Miereveld Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License http://creativecommons.org/licenses/by-nc-nd/3.0/

23 Jan 20219min

13. Wise Fool

13. Wise Fool

James I of England (VI of Scotland) had clear ideas of what kingship meant. It meant he'd been chosen by God to run the show and Parliament wasn't going to get in his way. The trouble was, Parliament controlled the money. And James's attitude wasn't going to make any friends there. A fine scholar, he proved himself pretty useless as a politician. No wonder they called him "the wisest fool in Christendom". Illustration: Title page of a King James Bible, lasting legacy of the first Stuart King ©Maharage Don Janaka Dharmasena/123RF.COM Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License

18 Jan 20219min

12. Hunting and Hanging

12. Hunting and Hanging

Boy, did it take a long time for James VI of Scotland to get from his proclamation as King of England, down to London to take the throne as James I. Partly that was because he had other things to do on the way down. A spot of hunting, for instance. And hanging a man without due process, not the English way of doing these things, but something of a sign of what was to come with the bright new Stuart dynasty. Well, perhaps not that bright. James VI of Scotland and I of England. ©Jose Georgios Kollidas/123RF.COM Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License.

13 Jan 20217min

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