Walking With Dante
Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.

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Episoder(509)

Now You Know Who We Are: PURGATORIO, Canto XIV, Lines 73 - 96

Now You Know Who We Are: PURGATORIO, Canto XIV, Lines 73 - 96

At long last, the speaker in PURGATORIO Canto XIV comes clean and reveals who he is . . . and who his compatriot is. They're Guido del Duca and Rinier (or Rinieri) da Calboli. Now that we now who they...

23 Jun 202430min

The Descent Of The Arno Into Metaphoric  Space: PURGATORIO, Canto XIV, Lines 43 - 72

The Descent Of The Arno Into Metaphoric Space: PURGATORIO, Canto XIV, Lines 43 - 72

Dante has been cagey about where he's from, using periphrastic phrasing to describe the Arno valley without naming it.It was apparently the wrong thing to do . . . because one of the envious penitents...

19 Jun 202433min

The Many Textures Of Envy: PURGATORIO, Canto XIV, Lines 22 - 42

The Many Textures Of Envy: PURGATORIO, Canto XIV, Lines 22 - 42

Dante has started a conversation with two envious penitents . . . a conversation he might not be ready for. They prove more than his rhetorical match. They also muddy the theology of Purgatory itself....

16 Jun 202431min

Be Careful Of The Company You Keep: PURGATORIO, Canto XIV, Lines 1 - 21

Be Careful Of The Company You Keep: PURGATORIO, Canto XIV, Lines 1 - 21

Sapía has finished her amazingly complex speech with the pilgrim Dante . . . or has she? At the opening of Canto XIV, we're not sure who is speaking? Still Sapía? No, two envious souls, leaning agains...

12 Jun 202431min

Sapía, Part Four--The Coda: PURGATORIO, Canto XIII, Lines 85 - 104

Sapía, Part Four--The Coda: PURGATORIO, Canto XIII, Lines 85 - 104

We've spent three episodes with this penitent envious soul, Sapía. Now let's look at the entire interchange between her and our pilgrim, Dante . . . as well as the ways PURGATORIO, Canto XIII, reflect...

9 Jun 202420min

Sapía, Part Three—Rhetorical Games Reveal Both The Penitent And The Pilgrim: PURGATORIO, Canto XIII, Lines 133 - 154

Sapía, Part Three—Rhetorical Games Reveal Both The Penitent And The Pilgrim: PURGATORIO, Canto XIII, Lines 133 - 154

In the concluding moments of Sapía's speech, we find her in dialogue with Dante the pilgrim . . . who is both forthcoming in his confessional stance and also cagey with his hiding his guide, Virgil.Sh...

5 Jun 202427min

Sapía, Part Two—Blasphemy Among The Penitents Of Envy: PURGATORIO, Canto XIII, Lines 112 - 132

Sapía, Part Two—Blasphemy Among The Penitents Of Envy: PURGATORIO, Canto XIII, Lines 112 - 132

Sapía now tells her story to Dante the pilgrim . . . and it includes one of the most blasphemous lines in all of COMEDY.Join me, Mark Scarbrough, as we look closely at one of the most honest and blasp...

2 Jun 202427min

Sapía, Part One—The Pilgrim Gets More (And Less!) Than He Bargained For: PURGATORIO, Canto XIII, Lines 94 - 111

Sapía, Part One—The Pilgrim Gets More (And Less!) Than He Bargained For: PURGATORIO, Canto XIII, Lines 94 - 111

Dante the pilgrim worked up the courage (or the flattery) to get one of the envious to speak up on the second terrace of Purgatory proper. She does . . . and gives him both more and exactly what (or p...

29 Mai 202427min

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